bright young folk

Megson discography

Take Yourself A Wife

Megson

2008 Studio album

the bright young folk review

This, Megson’s third full-length CD, sees them stripped of unnecessary bombast and the result is both fresh and mature. Their voices are each accomplished and full of personality and together they share a special chemistry.

Love and Justice are the predominant themes. Unlike many of their contemporaries who seem to revel in it, there is very little gruesomeness here. Instead they go directly for the heart with songs like Little Joe. It’s a genuine and touching song about a job taking you away from your loved ones. An all too familiar situation for a folk musician and one that many of us can relate to.

The other recurring theme of the record is social justice. The Oakey Strike Evictions is a protest song against the bailiffs who evicted the striking miners. There a shot at sweatshop labour on Fourpence a Day and The New Fish Market marries an up tempo tune with a tale of the rise and decline of a local economy. In comparison, the title track is jaunty and lightweight and as such feels a little out of place.

As can be expected from the guy that produced the recent Faustus and Benji Kirkpatrick CDs, this sounds first class. The guitars, when they take centre stage are full, bright and clear.

This is folk music in it’s truest sense. It’s steeped in tradition but addresses the issues that people face every day. As a result it’s fresh, brave, confident and very relevant now.

Christopher Friedenthal

Released on 29 September 2008 by EDJ records.

1. O Mary Will You Go
2. Little Joe
3. Take Yourself a Wife
4. The Pitman’s Happy Times
5. Fourpence a Day
6. The Oakey Strike Evictions
7. Jane Jamieson’s Ghost
8. The New Fish Market
9. Sandgate Lassie’s Lament

Megson discography

Reviews

As a collection of traditional songs from the North East, Take Yourself A Wife is a slice of history, beautifully presented. A recurring strand is that these songs tell of ordinary people’s lives, and their everyday concerns from industrial hardship, concerns of emigration, the press gang, through to a protest song about a fish market.

Debbie’s vocals are delicate, but generally perfectly pitched, and accompanied to great effect - both Stu and Debbie’s musicianship is excellent, providing a lightness of touch to the tunes. Indeed while the songs themselves mainly date back to the nineteenth century, the music has a very fresh, modern feel, and while some of the topics covered are quite dark, the album has a gently uplifting feel.

If I had one criticism it is that Stu’s voice is quite reedy. This works well most of the time - he just about pulls off the lead vocals on The Oakey Strike Evictions and The New Fish Market, despite a wobble or two, because it fits the material. However, with the absent father’s lament, ’Little Joe’, the song itself cries out for a bassier, more world-weary delivery.

It is an excellent, subtle album, and I guess quite close to the artists’ hearts in capturing part of their own heritage.

Craig
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